

Then you go to war against a small army of tiny metal spiders which may or may not contain arachnid suicide bombers depending on the difficulty you select. You’ll use the spy-bot all of one more time afterwards.

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Here, you learn how to do use the game’s cover system, hack into encrypted doors and how to pilot a spy-bot through a series of air vents blasting away fuses with its EMP gun. The first stage drops Joanna into enemy turf, in this case a reinvented oil rig gutted out and refurbished as a top secret science lab. It has its share of good ideas, they’re just intermingled with some that don’t really work. It’s not an ugly game the graphics are the expected upscale of the original’s style, but it’s not mind-blowing, either. There’s villains and explosions and innuendo and all the obligatory trappings you’d expect when a game developer tries to reinvent James Bond with 56% more sass and nicer breasts.

It’s a title that’s less broken and more stiflingly ordinary Joanna Dark returns to run through her story before the adored N64 strain of Perfect Dark where she plays thug for hire with daddy and a sassy techno-chick sidekick. This leaves it only one place to exist and, unfortunately for Rare, this place is blinding mediocrity. It’s not perfect, but it’s not a pus-filled affront to FPS’ everywhere. Poor Zero forever gets the brunt of this attitude and, though it will no doubt clog my IM box up later with numerous insults (mostly pertaining to crude untruths about my sexuality - I never said they were a high brow e-crowd) I don’t think it fully deserves this. Blame the e-crowd I hang out with who have, to a man, declared that anything post-N64 Rare is an affront to everything they hold dear. I was programmed to hate Perfect Dark Zero from the start. It obliges in the form of crippling overkill." Taking a friend in tow demands more targets to aim at, and Zero obligates. "Co-op modes commonly up the enemy count with the inclusion of a second player, and as well they should.
